Conception of Whitman's Song of Myself

                                                      Summary of Song of  

                                                                   Myself

1856 it had been known as "A literary work of poet, An American" and in 1860 it had been m

merely

termed "Walt Whitman." Whitman modified the title to "Song of Myself" in 1881. The changes within the title are vital in an universal man .This literary work had no title within the 1st (1855) edition of Leaves of Grass. Indicating the expansion of the that means of the literary work. There are 3 necessary themes: the thought of the self, the identification of the self with alternative selves, and therefore the poet's relationship with the weather of nature and therefore the universe. homes and rooms represent civilization; perfumes signify individual selves; and therefore the atmosphere symbolizes the universal self. The self is planned of as a non secular entity that remains comparatively permanent in and thru the dynamic flux of ideas and experiences that represent its acutely aware life. The self contains ideas, experiences, psychological states, and non secular insights. The thought of self is that the most important facet of Whitman's mind and art.

 To Whitman, the self is both individual and an individual self, whereas the world, or cosmos, has a universal or cosmic self. The poet wishes to maintain the identity of his individual self, and yet he desires to merge it with the universal self, which involves the identification of the poet's self with mankind and the mystical union of the poet with God, the Absolute Self. Sexual union is a figurative anticipation of spiritual union. Thus the poet's ecstasy is both physical and spiritual, and he develops a sense of loving brotherhood with God and with all mankind. Even the most commonplace objects, such as Leaves, ants, and stones, contain the infinite universe. "Song of Myself' is a good example of the stylistic features of Leaves of Grass. Whitman's style reflects his individualism. He once wrote to Horace Helen Traubel, his biographer: "I typically suppose the Leaves is just a language experiment." Words, for Whitman, have each a "natural" and a "spiritual" significance. informal words unite the natural with the non secular, and thus he uses several informal expressions. he's conjointly keen on victimization foreign words. The catalog is another special characteristic of Whitman's poetic technique. He uses varied pictures, sometimes drawn from nature, to counsel and heighten the impression of a poetic plan. These pictures seem to own no clear organization; however, in effect, they need a basic underlying unity, sometimes involving a non secular thought, which provides that means and coherence to the apparently disconnected pictures or scenes.